Victorian 'Magic Lantern' concept development

After witnessing my first (and thrilling!) Victorian magic lantern show (Presented by full circle magic lantern show), at Middleport pottery, Stoke-on-Trent, on Tuesday 10^th December, there seems to be many interesting similarities between the aesthetic, the format and the processes of my recent work and this antique media, which was prevously un-rearched at the deveplomental stage of this work.

Victorian slideshow image

 

Proposal image for installation projection work, 2012

 

Installation with projection from piano interior, Kate Lynch, 'Spheres of influene' exhibition, Marburae Gallery 2014

The resemblance to my work and proposal sketches is uncanny to say the least and has sparked interesting ideas for the development of this projection slideshow work utilising layered 20th century patterns sourced from the detritus of Stoke-on-Trent, since 2005. Building on concepts of layering, storytelling, reinvention and reinterpretation, and an alternative ‘archiving’ of images and motifs. The work deals with the historical, ancestral and archetypal; where the patterns are deconstructed, distorted and re-worked, commenting on the cyclic nature of trends within art & design history. Processes include both the physical removal of materials as a means of accessing history through ‘excavation’, and the application of print and paint directly onto surfaces to reveal visual histories.

Handmade slides, Kate Lynch 2012-2014

Previously, I have worked onto acetate with a focus on maker’s marks and distortion through the application of print, paint, transfer and layering processes in the development of slides and animations - utilising found image slides, handmade paper, corn starch cellophane and acetate. I now wish to experiment working directly onto glass and the format of the ‘slideshow’ will be explored further in terms of a layering and movement of images, accessing ‘hidden’ visual information and developing a relevant audience and collaborations; exploring a coming together of both images, community and the arts in one space/ performance to form a ‘whole’.

 

Victorian moving image slide. When in motion these are really impressive -  the Victorians beleived these to be 'fireworks'

Layered digital print constrcuted from found wallpaper and ceramic patterns, Kate Lynch 2010

Screen print, paper, acetate, found picture frame glass, Kate Lynch 2014

Screen print, paper, acetate, pins, Kate Lynch 2014

Screen print, paper, acetate, pins, Kate Lynch 2014

Screen print, paper, acetate, found newsprint collage. Mechanical card development. Kate Lynch 2014

 

 Previous themes and concepts of the speheres of influence / domestic meditations series- here

Day 1 in the BCB Laboratory: Helping Hands for the Spode works

As part of the British Ceramics Biennial 2013 programme , I have been situated in The Laboratory for the first ‘Weekender’ event.

For the weekend of 28^th & 29^th September only, visitors to the exhibition at the Spode Works can leave their mark by  placing a ‘Helping Hand’ on any of the three walls situated between ‘The Pavilions’ in the China Hall. These ‘Helping Hands’ are carrying out ceramic-based activities to repair the walls and suggest the collective rebuilding and repairing of an industry and reveal the architectural potential of clay.

The Laboratory

Transferring skills, processes and materials associated with the original Spode factory, ceramic worker’s hands have now turned to the walls; writing, decorating, painting, cleaning, and filling with coloured clay slips. 

Day 1 received a steady flow of participants and the hands began to adorn the walls and re-activate the space with ceramic- based activity, encouraging visitor’s to look beyond the exhibition space and explore the building. The project is intended to get people looking at the walls and considering the future of the factory and industry.

Finding areas in need of repair

Some favorite interventions by the public so far

I have been working to fill and paint areas pinpointed for repair, for the duration of the weekend.

13 Ceramic plaques in the form of life-sized ceramic worker’s hands will remain on the walls of the China Hall to highlight repaired surfaces, or those in need of repair.

The images of the ‘Helping hands’ have been printed as paper multiples on a series of 30 limited edition cards to promote ceramic activity beyond the BCB venue. A limited number of ‘Porcelain Pins’ have also been made from offcuts from the ‘Helping Hands’ project - both are available in the BCB shop situated within the China Hall. ‘Porcelain Pins’ will be a continuing project for me from this point forward, so watch this space for more limited edition designs.

Porcelain Pins, and info

BCB shop space, China Hall

Also situated in the Laboratory was   and the Burslem China Painters showcasing traditional china painting techniques. Kay and Diane were really drawn to the hands, as some of them were carrying out the techniques and methods they use. The ‘Helping Hands’ promote the handmade and keeping skills alive, which the Burslem China Painters are all about. It was really nice to see skilled workers hands at work in the space, and handling the paper ‘Helping Hands’. In one of the pictures above, Kay’s hand can be seen placing a decorator’s hand on the wall.

Diane in particular was drawn to the images and chose some of the hands relating to her own skills to copy onto one of her plates and spent the day transferring and painting the outlines in sepia. She intends to paint two plates in two colours using the images. I can’t wait to see the results of a collaboration that came about in the Laboratory. The Burslem China painter’s plates will be on view in the Laboratory for the remainder of the BCB.

Diane designing and painting her 'Helping Hands' plate

I am now all set for day 2 (12pm onwards today) where I will be filling and painting the walls highlighted yesterday, introducing today’s visitors to the project and completing the designs on the porcelain plaques which will remain in-situ for the remainder of the BCB.

Some thoughts on Books : William Morris & the Kelmscott Press

The writings and work ethic of William Morris influence my own Artwork & Lifestyle. Whilst continuing artwork and process began during my AA2A residency at Staffordshire University and also preparing for VOLUME Birmingham's Art, Book and Print fair  I came across this extract from 'William Morris and the Art of the Book' (Oxford University Press) and this brilliant extract showing a simple binding method- both are relevant to my current research and processes.

Back in March 2013, I visited 'William Morris and the Kelmscott Press',  Muirhead Tower Atrium, as part of Birmingham University's Arts & Science Festival. The exhibition of works from the Cadbury Research Library showcased fine examples of books from the Kelmscott Press, founded by William Morris in 1891.

The exhibition examined Morris's inspiration behind the founding of the press, through early manuscripts and 15th century printed books. The exhibition also touched on the Morris legacy and the influence of the Kelmscott Press on later book arts. I was able to see some of the books and pieces which have influenced my practice for a number of years in the flesh, and got the rare opportunity to handle the Kelmscott Chaucer and view the immaculately hand-printed and hand-bound pages up close.

The Kelmscott Chaucer

Some of my recent work has used the  'Troy type' and 'Golden type' fonts by the Kelmscott press (digitalised and maipulated from originals) as text pieces on found fabric. I am continuing work on a series of Morris texts using found fabric and laser cut etching, as well as printed text pieces.

'As If Through Windows'  Kate Lynch, 2013
Laser-cut text on found Morris fabric (Golden Type)

'Knotting Stool' Silkscreen print and reclaimed stool
Natasha Kurth, 2013
Book Intervention by Kate Lynch (Page extract from Morris's Essay 'The Art Of the People')

Kate Lynch & Natasha Kurth Installation, 2013
AA2A Exhibition, Staffordshire University

The Wildflower Seed bomb Workshop at SUPERNORMAL 2013

On Sunday 11^th August 2013, The Wildflower Seed Bomb Workshop made SUPERNORMAL seedbombs!

Seed bomb kit!

It was a great opportunity to deliver the Wildflower Seed bomb Workshop within the context of the SUPERNORMAL festival / experimental site where the focus remains ''firmly rooted in art, environment and pushing boundaries, and embracing difference whilst celebrating common cause.''

SUPERNORMAL is a three day, experimental arts and music festival at Braziers Park in Oxfordshire organised on a collective basis by artists and musicians and offering a platform for artists, performers and musicians to work collaboratively and creatively for a new kind of audience.

The workshop brought together young and old alike and we talked about our own gardens, wild spaces, allotments (and growing efforts) and wastelands and how we can improve them (using the SUPERNORMAL seedbomb as a starting point!) whilst mixing the seedbombs. 

  

The Braziers Park site and the areas surrounding the communal house had some inspiring growing sites with an organic kitchen garden and orchard. The Braziers’ estate is now being managed so the wide diversity of habitats can be preserved and enhanced. 

 

Braziers (Green)House

As part of the Government’s Countryside Stewardship Scheme hedge planting and maintenance, tree planting, both for landscape enhancement and to provide woodland for coppicing, and meadow management have all been happening on the site for 10 years, and much of the work involved so far has been undertaken by volunteers.

The site was teeming with Honey bees which was fantastic to see, although we hoped that the seedbombs may offer some wild flowers to attract them as an alternative to Cider!

 

Honey bees enjoying a festival pint (Image by 'Jonas Drummer')

The booklets which were produced for reference alongside the workshops were at hand to answer people’s questions about the non-invasive UK seed varieties in each mix, soil types and growing conditions, alongside a small library of books relating to wildflower species and urban growing.

Wild flower Seed Bomb Workshop Booklet

Books

Kids and adults also had the chance to design a wrapper to take the seedbomb home in, which could include a message about where the seedbomb would be planted and why…

Printed wrappers

Designing and printing wrappers

Seed bombs drying out

An ad-hoc seed swap began when Rob, from the SUPERNORMAL team, brought along a collection of seeds to swap for wild flower seeds and seedbomb mix, which sparked conversation and an idea to bring a plant and seed swap to SUPERNORMAL next year- Watch this space…

 

Seed Swap

We would like to thank SUPERNORMAL for having us there and for all who came along to the workshop with enthusiasm to chat, make seedbombs and scatter wild flowers on-site or those who took theirs away with a specific location in mind. The Honey bees on site will appreciate the wildflowers we seedbombed the site with!!